Showing posts with label MySpace. Show all posts
Showing posts with label MySpace. Show all posts

Thursday, October 15, 2009

As Facebook Grows, Privacy Issues Exposed: Technorati

This article originally published in Technorati October 14, 2009.

Let’s face it: Facebook has done a masterful job of flipping the social networking script on rival MySpace over the past three years. Holding nearly sixty percent of all social network traffic in the United States, Facebook has become the undisputed heavyweight of social technology. Twitter remains the media darling, but has proven difficult to quantify from a traffic standpoint (those of us who use the service regularly have noticed a sharp drop-off in quality content, and rumors abound of a plateau in the near future).

The public recently received an interesting bit of data from the folks over at Facebook: “The Gross National Happiness Index”. Compiling the data was a relatively simple process: the Facebook team conducted a search for recurring words or phrases in status updates and attached indicators.

The moral of the story?

Intellectual property content uploaded to Facebook – even content blocked using privacy filters – is licensed by Facebook. Images, videos, and private messages are all categorized and indexed in massive databases freely searchable by the Facebook team, and presumably available for sale to advertisers.

From the Facebook Terms of Service:

“For content that is covered by intellectual property rights you specifically give us the following permission, subject to your privacy and application settings: you grant us a non-exclusive, transferable, sub-licensable, royalty-free, worldwide license to use any IP content that you post on or in connection with Facebook ("IP License"). This IP License ends when you delete your IP content or your account unless your content has been shared with others, and they have not deleted it.”

Keep this in mind as advertisers and revenue streams for social networks become more sophisticated. As an advertiser, I would gladly pay Facebook a tidy sum to tell me at a microsegmentation level the behaviors and preferences of my target consumer audience.

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PEOPLE WHO READ THIS ARTICLE ALSO READ:

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> ADMAVEN's 5 Minute Music Survey: Consumption Habits and More

> Innovation In Music: New Opportunities For Advertisers From MPL Music Publishing Part 3

Thursday, August 13, 2009

Marcus Sakey: Social Media Marketing in the New World of Publishing Part 3

Marcus Sakey was an award-winning copywriter on brands ranging from JCPenney to World Championship Wrestling until he left the business to write novels. His books have been translated into a dozen languages, labeled “nothing short of brilliant” by the Chicago Tribune, and chosen among Esquire Magazine’s Top 5 of the Year. His latest, THE AMATEURS, will be released on August 6th. Marcus approached ADMAVEN to tell his story and detail how he uses social media marketing to go above and beyond traditional publisher driven advertising. I found his story compelling, and I am not receiving compensation for allowing Marcus to guest post. With that being said, Marcus will detail his story in three posts that will appear on ADMAVEN weekly.

This is the final installment of my guest editorials at ADMAVEN, and I’d like to thank Nick for the opportunity, and all of you for reading—very much appreciated!

Last week I wrote about how even novelists need to build and maintain a brand. Today I’d like to talk about one specific way I did that, taking advantage of social networking.

Twitter is today’s buzz topic, and a lot of agencies and clients are trying to find ways to maximize the value it offers. To my mind, the most important thing is to remember that Twitter was created so that people could keep up with one another, not so they could be marketed to. The worst thing you can do on Twitter is treat your followers like a passive crowd that you talk at—or worse, sell at.

Okay, fine. But what does that mean?

Well, for me it meant that first, I waited to leap to Twitter until I had an idea of what I wanted to say. I didn’t want to just shout about my books. Also—and this is important—I didn’t want to be an early adopter. Unless you’re Ashton Kutcher, the benefit to being first to something like Twitter is outweighed by the cost in time and message. Remember that before Twitter there was Facebook and before Facebook there was MySpace and before MySpace there was Friendster and before Friendster there was AIM and before AIM…you get the picture.

The next thing you want to do is maintain a direct connection. That means replying to people. It means re-tweeting interesting posts. It means shooting thank you messages to people who follow you. It means spending some time being a real live person.

Beyond general interaction, I wanted to do something that would A) increase the number of people subscribing to my posts, and B) promote my new novel to a large group, while C) not being annoying.

All of which added up to a contest. A carefully planned contest.

My new novel, THE AMATEURS, is about four friends in their early thirties who are dissatisfied with their lives, and who make a risky plan to try to take what they think they deserve. Along the way, the meet every week or so to chat and drink and play games, one of which is called “Ready, Go.” It’s essentially a question game:

“If your best friend killed someone, how far would you go to help them cover it up? Ready, go.”

So for my contest, I decided to host a two-week round of Ready, Go. Every day I would tweet a question. To enter, all you had to do was re-tweet your answer, and tag it with @MarcusSakey and #TheAmateurs. Every answer counted as an entry. My publisher, Dutton, generously provided a prize package, about $1000 in hardcover books (A significant prize is important—small prizes feel small, and no brand wants that).

The idea was simple. At this point, being relatively new to Twitter, I didn’t have a huge network. But this contest took advantage of the networks of everyone who entered. Every time someone responded with:

“I’d help bury the body. @MarcusSakey #TheAmateurs”

it flashed out to their entire network. Thus my name, and the title of my new book, appeared on thousands of screens everyday for two weeks. Not only that, but because the questions led to intriguing answers, a lot of people in those networks checked out what had prompted the reply—and ended up subscribing to my posts.

Of course, at the heart of this is that personal connection. This wouldn’t have worked if it wasn’t a real person putting it together, maintaining it, responding to some of the juicier answers—in other words, interacting. Which is what social networking is all about.

Anyway, I’d like to thank ADMAVEN again for the opportunity. If you liked what I had to say—or if you hated it—please let me know on Twitter or Facebook.

Better yet, if you like to read, check out my new book, THE AMATEURS. I think you’ll like it.

Cheers!

-Marcus Sakey

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Thursday, June 25, 2009

The Social Networking Paradox: Daily Relevance and Revenue

As companies struggle to enter the social space, significant investments are being made to both create a presence on and maintain a presence in social networks. The value of these networks is obvious: millions of engaged target audience members sharing information and communicating on a scale never before seen. But how can a brand understand the relative value and public perception of a social network without expending resources entering the space?

There exists a paradox in social networking that has big implications for brands. There appears to be an inverse relationship between the daily relevance a social network has to the public and the amount of revenue it generates. Attempts to monetize create a tailspin of waning interest that eventually results in the collapse or re-engineering of the network itself.

Understanding where a social network is in the cycle of popularity can mean the difference between starting a strategy that is doomed from inception or growing constructively with a network.

Twitter, for example, is currently exploring ways to generate revenue. Some believe Twitter is already peaking in daily relevance. My assertion, however, is Twitter will be relevant for some time to come.

Marketers would be well advised to partner with an agency or consultant that understands this relationship - both where a social network is positioned and how consumers perceive that network.

I'm still working out the details of this visual - your comments are welcome!

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PEOPLE WHO READ THIS ARTICLE ALSO READ:

> Twitter Is Peaking, If It Hasn't Already - Steve Rubel at 140 Characters Conference

> Social Business Design and The Future Of Advertising

> Everyone Hates Social Media

Thursday, September 18, 2008

Interactive Advertising Q&A Roundup

As an active member of communities touching the interactive advertising world I answer many questions on a daily basis. Each week I will round of some of the best questions and answers for your consumption. If you have a question about a subject related to interactive advertising or related subjects, you can email Nick Kinports at nick.k@maddockdouglas.com.

David Peck, New Media Strategist for LSF Interactive, asks:

How can we use a video like this to get the youth to vote? Saw this great video regarding getting the youth to vote in the upcoming election:

http://www.youtube.com/watch?v=o4kg514DcTA#

Got me thinking… How can we use a video like this to get the youth to vote?

ADMAVEN answers:

David,

Using a video to influence a group is a very powerful technique that has proven results; IF and only IF the video in question resonates with meaningful, targeted, and perceptually valuable content.

For example, let me direct you to my latest blog post, which is a prime example of exactly what I am talking about (not an ad to get you on my blog the post actually is a perfect example for this question).

Linked below to the blog and the specific post itself.

http://admaven.blogspot.com/2008/09/robin-williams-and-spore-why-not-more.html


Judith Bush, Manager of Software Development at OCLC, asks:

What are "best practices" and "best uses" of Facebook for community outreach?
My goals are to:
-become recognized by the general community
-become a known resource for watershed information throughout the community
-involve schools and students with projects as well as fundraising

ADMAVEN answers:

Judith,

Your situation is superb for the use of a social media outlet such as Facebook. The best Facebook campaigns involve relevant content (important and timely information to your local community) that cannot be easily accessed elsewhere (your council produces the information as a sole provider). Your target audience of schools and students are among the top users of Facebook.

This being said, your immediate goal should be to choose an individual to represent your organization and create a Facebook profile for that individual.

Next, you must begin placing relevant content into the profile. This may be done in the form of a blog, group, or announcements. Once your content is rolling you can begin inviting your target audience to participate with a clear, concise message detailing why your Facebook profile is important to their lives.

As for stories of successful engagements, let me point you toward a few resources.

I have linked below to my review of a free ebook entitled, "The Social Metropolis". The book provides relevant case studies and success stories that will assist you in developing your own campaign. Follow the link in my blog to download the book.

http://admaven.blogspot.com/2008/08/sem-vs-smo-part-3-social-metropolis.html


Mike McClure, Partner, Exec Creative Director at The Yaffe Group, asks:

What would get you to watch a webinar? What makes a good webinar? Special guests? Unusual topics? Straightforward strategies to improve your biz? Sock puppets? What works for you?

ADMAVEN answers:

Mike,

In general, the most effective webinar involvement is a personal referral. If your target audience is small (say <1000 people) the best thing to do would be a targeted campaign that has a high level of customization. For larger target audiences I recommend using your analytics to find out where these targets spend their time online, and then leveraging social media to promote your webinar. Regardless of the strategy you take, make sure your webinars provide relevant, useful, and entertaining information that is truly meaningful to the target audience. Ensure your webinars are extremely easy to share over social media (i.e. YouTube, MySpace, Facebook, Digg, Technorati, Email, Etc...). If the content is good enough your audience will work to distribute for you.


Guillermo Pérezbolde, Editorial Director at Entrecreativos.com and Creative Operations Director at Mente Digital, asks:

Do you think that Google´s AD Planner will become the standard for Online Media planning?

ADMAVEN answers:

Guillermo,

Google offers a lot of great tools to deal with simple (read: small) online campaigns. They will not be replacing agencies any time soon for larger jobs.

We use a variety of tools and outside resources to get the job done on larger campaigns. and Google cannot match the depth and breadth of expertise and software that the process encompasses.

Monday, July 14, 2008

Lively by Google Seeks to Break New Ground

Eerily similar to Second Life, Google Labs has produced a virtual world in which avatars interact with user created content in three dimensions. Did I mention it is free to download and use? Lively by Google utilizes in browser software to allow webgoers to dive head first into virtual reality and interact with other avatars and their environment.

Google, in typical press release fashion, states they will not place ads of any kind in Lively. I have to wonder how long this will last – especially with marked success from similar products like Second Life, in which advertising is rampant. Implications for interactive adspace are huge. Take corporate self-promotion for example. I had a quick look at the popular rooms page on the Google Lively website and found the interactive agency Proximity Worldwide’s room.

Looks like a typical agency setting to me. Note the YouTube videos rolling on the wall and the Proximity logo covering the floor. Conversation in Lively comes easily: simply type your message into the box and hit enter to generate an easy to read chat bubble. Now if only I had someone else in the room who would answer me.

Other frustrations came quickly. The initial load time for the room is about 30 seconds – not a death sentence by any means – and subsequent lag ensues after the space is generated. My laptop is not wimpy by any means, but Lively seems to eat all my resources and then some.

Lively also provides simple ways to integrate your personal space with a MySpace, Facebook, or other social networking page. I am a fan of improved interactivity and “bringing the customer into your house”, but Lively needs to solve a few key problems regarding slow loading and jerky movement before this tool will be truly useful to the interactive advertising community.

My verdict: keep a close eye on Lively in the months to come, but don’t scramble to set up your own complex virtual labyrinth only to realize you are the only one populating it.

Key implications: look to Lively for enhanced customer service apps, live order taking, and embedded YouTube viral marketing in the near future. There may come a day when interactive agencies sell a Lively environment as part of the standard online presence package.

Nicholas Kinports (follow him on Twitter @ADMAVEN) has worked in the interactive technology world for over 15 years. He is the Digital Strategy Lead and founder of Chicago-based digital marketing firm lonelybrand, where he directs the creation and execution of complete digital communications solutions for a variety of industries.